Last week was a rough week. Nothing spectacularly awful, but one of those weeks when not enough goes right, too much goes wrong, and way too much simply doesn't go at all. Annoying. Frustrating. And, to some extent, demoralizing. A real beat down of a week.
But these things have a way of turning around in the most unexpected ways.
Awhile back my friend Russ asked me to read his novel Finders Keepers. He's been working on it for a long time, gone through at least a few drafts I know of, and has had some very promising interest from some good-sized publishers. He's also got a website dedicated to it. When he asked me to read it, he was closing in on finishing the first draft of his second novel and planning to polish FK afterwards. Lately Russ and I have gotten into the habit of hanging out to talk about writing about once a month, and he thought I might give him some feedback before he tackled what he plans to be his final draft.
As long as I've known Russ, this was actually the first of his writing I was going to read. I get nervous when people ask for my feedback. I like doing it, but too often over the years I've found myself in the uncomfortable position of telling people things they obviously didn't want to hear. Not that I'm some wunderkind. It's only ever my opinion as a reader and writer and I take pains to be tactful, but a lot of writers, it turns out, are rather...well, thin skinned.
Shocking. I know.
Thing is, Russ ain't one of them. As I soon learned, Russ is a genuine journeyman who knows the devil isn't in the details, it's in editing and rewriting the details. So when we got together for a beer last week, Finders Keepers came up. After I finished telling him how wonderful, deep, and engaging his characters are, how crisp and lively his dialogue is, and how flat-out cool and original some of his ideas are, I got around to a few...structural items...that had bothered me as a reader. Then, somewhere along the line (Don't ask me exactly when, because we were drinking; writers are always drinking, it seems. Shocking. I know.)... but at some point, I blurted out that I thought he might want to cut the first, oh, 150 pages or so of his novel and start it much later than he had.
Then I hid behind my pint of Guinness and held my breath. And waited.
That's when Russ said, "You know, I was sort of thinking that, too." Or words to that affect. (Again, drinking.)
After I decided he wasn't trying to lure me out from behind my Guiness for a quick ninja blow to my larynx (trade secret: all writers have ninja powers), I cautiously set my glass down. We then spent about an hour and a half hashing through what he'd written, what he'd intended, how it had read to me, how he'd edited it in the past, and what he might do with it for the final draft.
The whole evening left me really energized about writing. We writers work alone too much. Sometimes we really need that little push from someone who reminds us to listen to our instincts. And sometimes we need to be reminded that writing is about going out on a limb even if that only means being honest when someone asks for feedback.
So, two days later Russ sent me a rough draft of his new first chapter. And it rocks.
Then the same day my Domino Lady author copies showed up in the mail and Jason Whitley sent me the last piece of art for my upcoming story collection, Resurrection House. And it creeped the hell out of me. Jason is that good.
And that downtrodden, sickly feeling that'd been nagging me all week simply... went away. Behold, the power of writing!
Monday, April 27, 2009
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