Springing Forward

Damn, I've been busy writing lately. That's good. Very good.

Back in March and April I felt off track. I was writing, but it wasn't clicking the way I like it to, and I wasn't finishing things. Everything felt like an uphill march in the snow with the wind in my face. And I wasn't alone. At least two of my writer friends commented to me back around that time (independent of each other) that they were in the doldrums too. Of course, there was another writer friend of mine who was chugging away on his book full-steam ahead, making us all look bad. But by the end of April things had turned around for me. Sometimes it's only a matter of slogging through enough scutwork to build up some momentum.

Because May was a pretty darn good month writing wise, and June is looking bright.

I'm 30,000 words into the second draft of my second novel. It's infinitely better than the first draft and I love the direction it's going.

I got a story synopsis in on deadline (literally, on the deadline) for a very cool anthology featuring a classic character. Then I got word that it was approved and to go ahead with the story.

I wrote a new short story for another anthology, submitted it, and the editor liked and accepted it. That's particularly pleasing because it's a piece of crime fiction, and I haven't written a lot of crime fiction. I like it, and I want to do more. Plus, the editor of this anthology has genuine expertise in the field of criminology, so passing muster with him makes it that much sweeter. I'll be posting more about this one as soon as the editor says it's okay.

To top it all off, I finished proofreading Resurrection House. It's always cool to read your work in print. Reading stories in pages has a distinctly different feel than reading them in manuscript. For me, the final litmus test for whether or not a story really works is if I still like it when I read it in pages or in a printed book. So I'm glad to say, everything in Resurrection House works. Admittedly, I might see a few things I'd do differently now, especially with a book like Resurrection House, which includes a range of work from my first published short story up to the present. But seeing those things is part of the fun, so I leave them be. There were relatively few corrections to be made (Note: Fingers crossed that publisher and designer agree with my definition of "relatively few"). To the best of my knowledge everything is now in and the book is heading toward publication. Exciting.

It's a cliche, but it's true: It can be hard to see the forest for the trees.

For writers that happens when we get deep into projects, and we focus on all the bits and pieces and details, the characters, plots, pacing, and prose, and forget that even when the trees all start to look the same, we're still making progress. (I spent two weeks rewriting Chapter 1 of my novel, but that work had to be done, that chapter had to be right for everything else to fall into place.) Then after awhile we can lift up our heads, look back at what we've been doing, and say, "Damn, I've been busy writing lately."

With a little luck, I'll be saying that again come sometime in July.